Review: Sea Wall

Rating: 5 out of 5 stars

Simon Stephens’ Sea Wall is raw and devastating. This one-man play begins lightly, Alex (Andrew Scott) chatting amiably about his father-in-law, holidays in the South of France, and his deep affection for his wife and daughter. Yet, strung through this narrative is a tension that tightens as the story unfolds. The audience are constantly on edge, watching as Alex circles closer and closer to the painful story aching at the play’s centre. Continue reading Review: Sea Wall

Review: Family on Screen: The Wind in the Willows

Rating: 2.5 out of 5 stars

To provide some escapism and light relief from the prevailing news reports surrounding the Coronavirus pandemic, the producers of the West End 2017 production of The Wind in the Willows are streaming the show online for free. Whilst I appreciate the attempt to bring the magic of theatre to the comfort of one’s home, this production with its bumpy and dull storyline and unlikeable, arrogant protagonist, partnered with buffering Wi-Fi, leaves something to be desired.  Continue reading Review: Family on Screen: The Wind in the Willows

Review: Night of the Living Dead: Remix

The Night of the Living Dead is often perceived as one of the best horror films in history. It follows the tale of seven strangers trapped in a house in Pennsylvania who must attempt to separate their differences and survive a distressing zombie apocalypse. On Tuesday March 25th I had the opportunity to watch Imitating The Dog’s Night of the Living Dead: Remix (directed by Andrew Quick and Pete Brooks) at the Northcott Theatre, and I went into the performance completely blind, having seen no trailers for it. Continue reading Review: Night of the Living Dead: Remix

Review: A Taste of Honey @ Trafalgar Studios

A Taste of Honey, Shelagh Delaney’s debut play (written when she was just 19 years old), proves that being a product of its time does not stop art from being important to contemporary audiences. Bijan Sheibani’s current touring production, for the National Theatre and showing at Trafalgar Studios in London this holiday season, only serves to reiterate this point. When the play premiered at the Theatre Royal Stratford East in 1958, it was considered part of the post-war ‘kitchen sink’ genre because of how it revolutionised British theatre by questioning class, race, gender and sexuality in mid-20th century Britain. Continue reading Review: A Taste of Honey @ Trafalgar Studios

Review: EUTCO’s The Great Gatsby

Gatsby: the name is synonymous with glamour, the roaring ‘20s, extravagant excess, wealth, parties, hedonism, flowing alcohol, the power to turn dreams into reality, and the sense of a lost time. It also signifies a story of dashed ambition and tragedy. EUTCO’s production of The Great Gatsby at the Northcott, adapted from F. Scott Fitzgerald’s American classic, drew out these tensions thoughtfully and impressively. Published in 1925, Fitzgerald’s novel has undergone a whole new revival with the onset of the 2020s. Mimi Templar Gay’s direction produced a play which encouraged its audience to reflect on its relevance to our present time, particularly in light of its pervasive concerns with money, success and what it means to be fortunate. Continue reading Review: EUTCO’s The Great Gatsby

Review: The Taming of the Shrew @ The Barbican

Until recently, all that I knew about the plot of Shakespeare’s The Taming of the Shrew was what I had seen in 10 Things I Hate About You: the frosty, hostile Kat Stratford (Julia Stiles) softens when she accidentally falls for the slightly intimidating Patrick Verona (Heath Ledger). On my way to London, to see this production I felt reasonably excited by the prospect of watching the original play. The idea of going to see a performance at the Barbican over the Christmas period sounds enticing – especially when it is to watch something as cultured as a Shakespeare play. Little did I know that I would not be so pleased afterwards. Continue reading Review: The Taming of the Shrew @ The Barbican

Review: Exeter University’s Shakespeare Company’s ‘Love’s Labour’s Lost’

Rating: 4 out of 5 stars

Love’s Labour’s Lost, a poetic story of four couples, is a rarely performed gem by Shakespeare. I especially have a soft spot for the character of Berwone whose romantic iambic pentameter burrowed their way into my heart quite a few years ago. This production was able to adapt the story successfully by keeping the central point relevant, and making the humour and wit punchy.  Continue reading Review: Exeter University’s Shakespeare Company’s ‘Love’s Labour’s Lost’

Review: The Silver Lake @ Exeter Northcott

Rating: 4 out of 5 Stars

Moving, theatrical and passionate. A treat from start to finish!

The English Touring Opera treated us to Kurt Weill’s Der Silbersee, The Silver Lake. The songspiel (play with music) is mostly known for being banned by the Nazis as soon as it was created. In the current political climate, ETO argues, it is imperative that art makes a political comment and the narrative seems to ring true today. Continue reading Review: The Silver Lake @ Exeter Northcott

Review: Spotlights:Expressing Yourself

Rating: 5 out of 5 stars

Outstanding, vibrant, and spectacular; ‘Expressing Yourself’ is not a show to be missed! 

Following their third consecutive sell-out summer at the Edinburgh Festival Fringe, Exeter University’s musical theatre show choir, Spotlights, is back with their exceptional show ‘Expressing Yourself’. This talented group of musical theatre lovers took to the stage to perform a brand-new set list, with high-energy choreography seamlessly blended with rich harmonies. With musical hits ranging all ages and genres, from Broadway classics, such as Wicked, to new fan favourites Hamilton and Kinky Boots, and even including Disney tunes from Tangled. Whether you are a theatre fanatic or just partial to occasionally belting in the shower, there is certainly a number to suit every audience member’s tastes. This joyous show is a true celebration of inclusivity, diversity, and being the version of yourself that you want to be. The production was received with consistent cheers and applause – it truly is not one to be missed!   Continue reading Review: Spotlights:Expressing Yourself