Politics on Screen: Parasite

Ever since it debuted at Cannes Film Festival in May 2019 and won its prestigious Palme d’Or, Parasite has been making waves. With two Baftas, four Oscars (including best picture – the first time a foreign film has ever won) and countless other accolades under its belt, it has dominated the awards circuit and catapulted writer-director Bong Joon-Ho to international fame. A much-celebrated director in his native South Korea, Bong’s work often touches upon social issues. Okja, for example, deals with environmental issues, capitalism, animal rights and corporate greed, whilst The Host explores dictatorships, governments and power, amongst other things. Continue reading Politics on Screen: Parasite