Friday’s concert, ‘Unmistakeable Voices’, saw Bournemouth Symphony Orchestra give two magnificent performances, in a clear demonstration of the capabilities of everyone involved. From Beethoven to Shostakovich, and with an intervening encore on the part of violin soloist Augustin Hadelich, the evening proved not only to be expertly played, but decidedly engaging in its informality. It was perhaps Hadelich himself who, from first walking on to the stage in Exeter University’s Great Hall, seemed to emanate a casualness to be appreciated by any audience of classical music, and which perfectly aligned with the general accessibility of the BSO’s work. Continue reading Review: BSO’s ‘Unmistakeable Voices’
The Bournemouth Symphony Orchestra reignites its new year of performances at Exeter Great Hall on Friday, in an evening that should lay the foundations for the work to come. ‘Unmistakeable Voices’ brings to the university works by two of the greatest Romantic composers: Beethoven and Shostakovich. With Chief Conductor Kirill Karabits at the helm, it promises to be another successful night for the BSO, and certainly one to deeply affect its audience. Continue reading Preview: BSO’s ‘Unmistakable Voices’
For one evening (and one evening only) those present at Exeter Great Hall were transported to cold, 19th century St Petersburg and Moscow; an invited state of Tsardom overseen by the remarkable talents of the Bournemouth Symphony Orchestra. With works by three of the biggest names of Russian Romantic music, the Orchestra gave a resounding, and even at times rousing, conclusion to the first instalment of performances at the Great Hall as part of their 2018-19 season. Continue reading Review: BSO’s Russian Winter
Gracie has the ‘last words’ on love. I stood at the bar, beer in hand, amongst the bundle of young people all raring to see the London native swoon his way onto the stage. The fans weren’t rowdy, nor were they uncontrollable. They simply sipped their drinks, with the clinking of glasses and a lingering sense of anticipation in the air. Not one of wondering … Continue reading Review: Isaac Gracie @ Exeter Phoenix
The Bournemouth Symphony orchestra will soon once again grace Exeter Great Hall with its abilities, bringing a seasonal selection to the stage. As the title suggests, the evening of the 6th will consist of three works that deal with the not-so-mild temperament of a ‘Russian Winter’, in what is sure to be a resounding conclusion to the first term’s worth of the orchestra’s 2018-19 season. Conducting the evening will be Antonio Méndez, Principal Conductor of the Orquesta Sinfónica de Tenerife and evidently an expert in his field. He is highly-sought after, and the fact that he is once again returning to work with the BSO is testament to both his and the orchestra’s stature in the classical music world. Continue reading Preview: BSO’s Russian Winter
Ben Britton: Congratulations on becoming the BSO’s Leverhulme Young Conductor in Association. Could you tell our readers a bit about what the role entails?
Marta Gardolińska: It is a kind of assisting position, but a bit more than that, because it means I have three main responsibilities. One is covering for all the conductors, which means whenever they get sick, whenever they don’t catch a plane, I am there and I have to take over either the rehearsal or concert. The second thing is working with the Participation Department, which organises school concerts and the BSO Resound Concerts, a lot of outreach work. So, I am usually the person who goes to conduct the bigger concerts of these programmes. And I have a series of concerts with the actual BSO throughout the season; one of them is tonight.
Continue reading Interview with BSO’s Marta Gardolińska
On Wednesday, the Bournemouth Symphony Orchestra brought to Exeter a different form of concert to the standard set-up. As the conductor, Marta Gardolińska, explained to me in my pre-concert interview for RAZZ, it was a night designed to attract those less familiar with classical music with a variety of musical delights. Rather than one or two shorter pieces, an interval, and then a symphony (as is typically done in contemporary concerts), the evening consisted of a tremendous sequence of pieces by a whole range of composers. The title of the evening was ‘Smooth Classics, Vol. 2’ with pieces chosen for their relaxing temperament. This being said, there was a multitude of emotions amongst the pieces of music, which the BSO asserted clearly in their performance. Continue reading Review: BSO’s Smooth Classics Vol. 2