There’s something about Laura Marling’s bucolic folk sound and sharp British accent that makes listening to her music feel so personal, so homey, and yet provides a world to escape into. She’s even commented herself on her “uncanny” sound, and, as a three-time Mercury Prize nominee in the twelve years she’s been active, you’d think she’d know a thing or two.
I’ve been a fan of Marling’s music since her Short Movie era in 2015, although I didn’t realise that her debut album, Alas, I Cannot Swim, was released in 2008 when she was only eighteen! Continue reading Review: A Song for Our Daughter by Laura Marling
You may be aware it’s January again: congratulations on making it back and welcome to the year 2018. There are so many reasons why people don’t like January: it’s dark, it’s cold, and after the excessive festivities of December, January seems rather dull. These complaints and various others are symptomatic of the dreaded “January blues”, which is apparently a real mood-disorder and one that a … Continue reading EJ Plays: Blues Run the Game
Perched upon a bar stool, Laura Marling’s unmistakeably clear, nostalgic voice rings out into the Goldsmith’s Student Union, as she winds her way through ‘Wild Fire’ the second track to be released from her sixth studio album, Semper Femina. The record’s title is drawn from a Virgil line, “varium et mutabile semper femina,” which translates as “fickle and changeable, always is woman” – a fitting … Continue reading Indulgence or Compulsion? An Afternoon with Laura Marling