Tag: frostonfilm

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Columns, Editorial Team, Film/TV, Review

Frost on Film: Tarantino’s Greatest Scenes

‘I think this just might be my masterpiece’
A look at some of Tarantino’s greatest scenes

When Quentin Tarantino puts pen to paper, something special is never very far away. Over the course of his directorial career, Tarantino has written some of the most iconic dialogue ever put to screen and with the release of his new film – Once Upon a Time in Hollywood – the promise of some juicy exchanges seems like a given. Continue reading Frost on Film: Tarantino’s Greatest Scenes

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Editorial Team, Film/TV, Review, Visual Arts

Frost on Film: Capernaum

At the Oscars this year the Best Foreign Film category was stacked with many outstanding masterworks, from Roma to Cold War. Yet it could be argued that Capernaum is the best of them all as it is unquestionably one of the best films released in the last year. It paraded around the film festival circuit and won the Jury Prize at the 2018 Cannes Film Festival which is an impressive achievement. Continue reading Frost on Film: Capernaum

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Columns, Editorial Team, Film/TV, Lifestyle, Review

Frost On Film: Green Book

Never a Dull Moment At face value, Green Book sounds extremely formulaic and predictable. It is story about two mismatched men forced together by necessity rather than choice, who gradually become close friends. Add into the mix the over-trodden turf of the road trip as the method in which these two men become close, and it seems the film is destined for mediocrity. The fact that … Continue reading Frost On Film: Green Book

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Columns, Editorial Team, Film/TV, Literature

Frost on Film: Glass

An Underwhelming Finale In 2016 Split was released and received good reviews, seemingly placing M. Night Shyamalan’s directorial career back on track, following a rather dire succession of releases. However, while the tale boasted a fascinating killer at its centre suffering from multiple personality disorder, what drew more attention was the end of the film. In its final moments, Split revealed an aged Bruce Willis … Continue reading Frost on Film: Glass

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Columns, Editorial Team, Film/TV, Review

Frost on Film: If Beale Street Could Talk

Today, in large part due to Trump’s presidency, the topic of racial hatred seems as prevalent as ever. Films released recently like The Hate U Give or Spike Lee’s brilliant Blackkklansman have attempted to discuss this issue with a loud and angry voice. If Beale Street Could Talk continues this trend but in a more subtle, muted way, elevating intimacy over depictions of racial prejudice. Continue reading Frost on Film: If Beale Street Could Talk

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Columns, Editorial Team, Film/TV, Visual Arts

Frost on Film: Italian Neo-Realist Film

Cinema has always been kind to the fantastical. Whether it be sci-fi or superheroes, there will always be a space for the otherworldly on the big screen, be it another Spielberg classic or the next instalment in the Marvel cinematic universe. But amidst all the CGI madness these films provide, I want to instead focus upon the Italian Neo-Realist school of filmmaking, a movement that originated in post-World War Two Italy.

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