‘I think this just might be my masterpiece’
A look at some of Tarantino’s greatest scenes
When Quentin Tarantino puts pen to paper, something special is never very far away. Over the course of his directorial career, Tarantino has written some of the most iconic dialogue ever put to screen and with the release of his new film – Once Upon a Time in Hollywood – the promise of some juicy exchanges seems like a given. Continue reading Frost on Film: Tarantino’s Greatest Scenes
Spider-Man: Far From Home is in an unenviable position: having to follow Avengers: Endgame, now the highest grossing film ever. Endgame was essentially a monumental conclusion to the Infinity Saga that said goodbye to characters we’ve loved for over a decade. It was soul crushing. For anything directly afterwards, it’s tricky not to fall flat.
However, choosing Spider-Man was wise. It narrows the scale, allowing audiences to see how the Blip (the five years post-snap) actually affected people. This transition works well for the franchise, with the student “in memoriam” video for Stark, Rogers, and Romanoff (don’t – I’m still devastated) shifting it in a more light-hearted direction. Continue reading Review: Spider-Man: Far From Home
After hearing that Pixar had decided to release a fourth movie in the Toy Story saga, I was filled with multiple emotions – sure enough there was a lot of excitement but there was also a creeping sense of dread. After the emotional rollercoaster ride that was Toy Story 3, it seemed we had said our goodbyes to the toys, just as Andy does, in … Continue reading Review: Toy Story 4
Netflix provides another charming romantic comedy for us in Always Be My Maybe, one that endears the audience but fails to reinvent the genre. The story of Sasha (Ali Wong) and Marcus (Randall Park), two childhood friends who reconnect after sixteen years not speaking, navigate their feelings for one another despite living two different lifestyles. Continue reading Review: Always Be My Maybe
Olivia Wilde’s directorial debut is a fresh, female-led, spin on the coming of age tale. Arguably one of 2019’s best comedies, Booksmart demonstrates how being young can be a painful yet hilarious experience. By successfully blending tales of raucous adventures and responsibility, Booksmart illuminates the emotional pains associated with teenage friendship and the transition into adulthood. Continue reading Review: Booksmart
In 2018 Birds’ Eye View launched the BFI-backed Reclaim The Frame project – a mission to bring ever-greater audiences to films by women, offering a wider perspective of the world. Birds’ Eye View is a charity whose focus for the last 16 years has been on raising the commercial and cultural impact of films written by or directed by women – demonstrating how varied the female gaze can be and celebrating the difference. Continue reading Preview: Reclaim The Frame Launch
“Why should the devil have all the best tunes?” asked Methodist preacher George Whitefield in 1774. But did the devil ever? And does he still? As conservative and dated as ‘religious art’ might seem in the West (where religious practices have been somewhat marred by schisms, crusades, inquisitions, Nietzsche, existentialism, and that ever-pesky science), I think the paganity to which Whitefield referred has less of a cloven-hoofed power-stance over the arts than the reality of the situation might suggest. Not only were many of the modern antecedents and influences of contemporary Western artists religious, but a great number of today’s practitioners remain resolutely Christian in their outlook.
Continue reading The Relevance of Religious Art Today