Following their epic return to the Great Hall stage just a fortnight ago, the Bournemouth Symphony Orchestra continue their 2019-20 concert season this Thursday night. Celebrated operatic conductor Stephen Barlow will be taking the orchestra under his baton and leading us on a journey of love and loss through the music of Strauss, Beethoven and Prokofiev. Continue reading Preview: BSO’s Love and Loss
The Bournemouth Symphony Orchestra are back and they’re kicking off their 2019/20 concert season with some absolute classical bangers. Their opening concert ‘Elgar’s Masterpiece’ will be taking place this Thursday 26th September and features some gems you won’t want to miss.
You’ll be jerked to attention by the opening chords of Sibelius’ iconic Finlandia, soon moving from dark and dramatic brass to a ceremonious anthem for Finland, via a lively melody that will lift your spirits to the Great Hall ceiling. Continue reading Preview: BSO’s Elgar’s Masterpiece
Exeter University’s campus was buzzing with life on Thursday evening, as fans of classical music descended on the Great Hall for another night of entertainment provided by the Bournemouth Symphony Orchestra. For the final instalment of their 2018/19 concert season, an iconic programme of music by Smetana, Tchaikovsky and Sibelius was on the cards and the BSO did not disappoint, performing with unwavering precision and charisma. Continue reading Review: BSO’s Echoes of Home
The Bournemouth Symphony Orchestra returns to Exeter’s Great Hall on Thursday evening for the final instalment of their 18/19 concert season. This time performing ‘Echoes of Home’, the works of Smetana, Tchaikovsky and Sibelius will be brought to life by this world-class orchestra, under the direction of guest-conductor Jamie Phillips. Continue reading Preview: BSO’s Echoes of Home
Having climbed the snowy slope to campus, the brassy warmth of the Bournemouth Symphony Orchestra’s presence in the Great Hall was sure to revive the spirits of all who made it there. As were the evening’s three pieces, under the heading of ‘Pastoral Brahms’. Clemens Schuldt was conducting, his second evening with the BSO following his debut the night before. His familiarity with the German Romantic canon was well-suited to the work, with which he displayed a near-frantic excitement throughout. Continue reading Review: BSO’s Pastoral Brahms
On Wednesday, the Bournemouth Symphony Orchestra brought to Exeter a different form of concert to the standard set-up. As the conductor, Marta Gardolińska, explained to me in my pre-concert interview for RAZZ, it was a night designed to attract those less familiar with classical music with a variety of musical delights. Rather than one or two shorter pieces, an interval, and then a symphony (as is typically done in contemporary concerts), the evening consisted of a tremendous sequence of pieces by a whole range of composers. The title of the evening was ‘Smooth Classics, Vol. 2’ with pieces chosen for their relaxing temperament. This being said, there was a multitude of emotions amongst the pieces of music, which the BSO asserted clearly in their performance. Continue reading Review: BSO’s Smooth Classics Vol. 2