With his latest directorial instalment, Armando Iannucci has attempted to transform Charles Dickens’ masterpiece David Copperfield into a satirical affair which discusses contemporary social issues. The results are mixed as there are moments of genuine warmth throughout, but there are equally numerous occasions when jokes fall flat and twists in the plot fail to create the level of emotional outpouring one would have expected. Iannucci’s unique style is partially to blame for this as his ironic humour, which had elevated The Death of Stalin so brilliantly, in this instance limits the emotional heft of the source material. Continue reading Frost on Film: The Personal History of David Copperfield
Atmospheric, theatrical, dirty and playful. Artaud and Brecht as a way to explore this episodic novel.
A dark and challenging night of theatre. If that’s what you like, you will be a fan of David Glass Ensemble’s production of Bleak House. What they do, they do very well.
The company of actors in white face paint with exaggerated facial features emerge around the audience, inciting gentle participation and thrusting the story right in our faces. It is expressionistic, visceral and self-aware. Scenes gel into one another, actors transform into different characters in front of our eyes, and the set of two-story scaffolding with removable wooden slabs and vertical steps literally frames the narrative. The whole stage is placed onto a layer of dirt and the costumes indicate the worn-out feel so vividly presented in Charles Dickens’ novel. Continue reading Review: Bleak House@Exeter Northcott