Thousands of words may have been added to the Oxford English Dictionary (OED) in recent years, yet it would be a mistake to think that this is the limit of English. The OED, being a descriptivist endeavour, will always be lagging behind, and now more so than ever, as new technology permits new registers for language to be played with. Social media platforms like Facebook Messenger and WhatsApp create a written medium that has the speed and interaction of speech and come with their own newly minted lexicons. Yet it is important for the OED to recognise the new words that emerge from these kinds of mediums of communication, partly as a resource for studying the language, but also to give words a sense of respectability – like a shield to hold off those pedants decrying the deterioration of English. As such, see this article as more of a personal view on changes to the language that I like, not a judgement on the new words. Continue reading The Metamorphosing English Language
Farce is “a particular sense of humour”, Tessa Peake-Jones admits as we sit down to chat in Bang Bang!’s rehearsal space at Exeter’s Maketank. It’s less than a week before their opening night at Exeter Northcott and for Peake-Jones, known for her roles in Only Fools and Horses and Granchester, this is her first experience acting what she refers to as “proper farce, traditional farce.” It is also the stage writing debut of British comedy legend, John Cleese, who has previously achieved global success with works such as Monty Python and Fawlty Towers. Continue reading Interview: Tessa Peake-Jones, Actor in Bang Bang!
You board several trains a night, fraught with lilac mist. Blood oranges suspended above the walkway illuminate the path. Machines that blink white churn out Morse conversations. This language, the backdrop of the otherwise blank soundscape of the night. The sky is a milky pool, dizzying to look upwards when you feel you are looking down. The platform: angular and shrouded in geometry, as the silver body of the snake arrives upon the tracks and slows to a halt. It doesn’t chug, but glides silent and serpentine. Continue reading The Life Chronicles: The Night Train
There are many ways to discuss the legacy of BoJack Horseman. One could talk about how it introduced a whole new era of adult-orientated animation, or how its shift to a darker tone after the first six episodes utilised the new form of binge watching created by the rise of Netflix original content. There are many metrics and viewing figures to explain the impact of BoJack Horseman, but what can’t be directly measured is the impact the stories it has told have had on people’s lives. Continue reading Saying Goodbye to BoJack Horseman
If like me, you thought the first season of Sex Education on Netflix was bound to be the peak of the entire show, you’ll be glad to know that season two is everything that the first season was, and more. Continue reading Review: Sex Education S2
After we split side to side, she said, ‘you know making love is an act of freedom. You have to do it with all your heart, or it will never feel right.’ Continue reading My Father’s Tie
I have looked at the sky at different times. It has been bright during the day, and starless dark late at night. I have stared at the sky while the winter wind whipped my cheeks, but I have also gazed at it when the summer sun toasted them tenderly. The truth is there is no special time to stare at the sky, except when the moon and stars are gloriously out for unusual attention. The sky is barely an evidence of change unlike us, the land-dwelling creatures. Continue reading The Sky Is Not What Changes