A Taste of Honey, Shelagh Delaney’s debut play (written when she was just 19 years old), proves that being a product of its time does not stop art from being important to contemporary audiences. Bijan Sheibani’s current touring production, for the National Theatre and showing at Trafalgar Studios in London this holiday season, only serves to reiterate this point. When the play premiered at the Theatre Royal Stratford East in 1958, it was considered part of the post-war ‘kitchen sink’ genre because of how it revolutionised British theatre by questioning class, race, gender and sexuality in mid-20th century Britain. Continue reading Review: A Taste of Honey @ Trafalgar Studios
This winter the Royal Academy of Arts has exhibited Lucian Freud: The Self-portraits. The collection of portraits ranges from his early career in 1940, to his most recent work in 2001. This masterfully curated exhibition focuses on the self and demonstrates how Freud’s painting style has changed and matured over time. The exhibition progresses from his early surrealist painting, to his later brutally realist work, exposing the frailty of his aged body. The style of his portraits is striking and contradictory as Freud resists being exposed and “known”, he hides in his paintings, yet also maintains intrigue as the subject of the portrait. Continue reading Review: Lucian Freud: The Self-portraits @ The Royal Academy of Arts
From the first teaser trailers, the internet has been sinking its claws into Cats. Critics slammed the film as disturbing, confusing and bizarre, yet those descriptors evoke the very essence of the musical. Continue reading Review: Cats
It’s that time of year again – the Golden Globe Awards. Now, in the film-making industry this should be a time for excitement and celebration. However, with the recent release of the Golden Globe nominations, it is clear that talented women behind the camera continue to find their creative voices silenced and their work undermined and shut out. It is nearly 2020, a new decade, and yet there are still no females nominated for Best Screenplay or for Best Direction Awards. Stacy Smith, the founder of USC’s Annenberg Inclusion Initiate stated that the Golden Globes is limited in its ‘lopsided view of talent that fosters the longevity of male directors over their female peers’. Hollywood is overwhelmingly a male sector, and with these nominations, it seems that the Golden Globes’ objective is to perpetuate that. Continue reading A Man’s World? Women Snubbed Once Again at Golden Globe Awards
The perfect gift this Christmas
Explore, discover and support Exeter, city of independents.
The InExeter Independent Gift Card is the perfect gift for Christmas. With a choice of over 70 independent businesses to spend the card in, it is a great way to explore Exeter’s best loved indie cafes, restaurants, artisan producers, hairdressers, jewellers, homeware and fashion shops, makers and crafters. With so much choice it really is the *gift of all gifts* for someone special this festive season. Continue reading The Perfect Gift This Christmas: InExeter Independent Gift Card
Friday, 29th November, 11am, Bedford Square. The honey pot for the environmental warriors of Exeter. The difference? These warriors came in pushchairs and from school playgrounds. They came in families with toddlers dancing and darting between placards. Fridays for Future along with Extinction rebellion dominated this corner of Exeter, and their army were predominately teenagers. Continue reading 2, 4, 6, 8: Save Our Planet, It’s Not Too Late
“Individually, we don’t have a say in the management of our university, but collectively we might” – an anonymous student from Kings College London supporting the industrial action of the 2018 academic strikes. Continue reading The UCU Strike and the Recent Cultural History of Strike Action.