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Review: Always Be My Maybe

Netflix provides another charming romantic comedy for us in Always Be My Maybe, one that endears the audience but fails to reinvent the genre. The story of Sasha (Ali Wong) and Marcus (Randall Park), two childhood friends who reconnect after sixteen years not speaking, navigate their feelings for one another despite living two different lifestyles. Continue reading Review: Always Be My Maybe

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Review: Booksmart

Olivia Wilde’s directorial debut is a fresh, female-led, spin on the coming of age tale. Arguably one of 2019’s best comedies, Booksmart demonstrates how being young can be a painful yet hilarious experience. By successfully blending tales of raucous adventures and responsibility, Booksmart illuminates the emotional pains associated with teenage friendship and the transition into adulthood. Continue reading Review: Booksmart

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Preview: Reclaim The Frame Launch

In 2018 Birds’ Eye View launched the BFI-backed Reclaim The Frame project – a mission to bring ever-greater audiences to films by women, offering a wider perspective of the world. Birds’ Eye View is a charity whose focus for the last 16 years has been on raising the commercial and cultural impact of films written by or directed by women – demonstrating how varied the female gaze can be and celebrating the difference. Continue reading Preview: Reclaim The Frame Launch

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So Scandi: ‘The Architecture of Happiness’ – A celebration of Danish Architecture

If you have every visited or seen pictures of Copenhagen, your first thought if someone said “Danish architecture” would probably be of the quaint saffron, moss and rust coloured harbour buildings of Nyhavn. But this would not be the whole story. Over the past decades the Danish capital has transformed itself from a serene fisherman’s town into a dynamic, modern city. A transformation that is reflected … Continue reading So Scandi: ‘The Architecture of Happiness’ – A celebration of Danish Architecture

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Review: Captain Marvel

Marvel’s latest offering more than fulfils its tagline. Captain Marvel soared above doubt, boycotts, and smear campaigns to a staggering $455 million worldwide box-office taking on opening weekend. And it’s easy to see why – it’s MARVELlous.

The film is essentially Captain Marvel’s origin story, which has led to criticism about the plot being ‘predictable’ at times. People forget that the heroes we love had their own ‘basic’ origin films. Captain Marvel (Brie Larson) burst into the universe in a way that stands up to her peers, and shows she has the ability to drive this legacy beyond Endgame. Continue reading Review: Captain Marvel

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Review: Us

After the success of Get Out, a smart satirical thriller, writer-director Jordan Peele has created a horrific fable that popularises our fear of the other. A reinterpretation of the Jekyll and Hyde motif, Us satirises the dark side of human nature. The title evokes the abbreviation for United States thus echoing the multitude of double meanings present throughout the film. This is a mirror-image, home-invasion horror film aiming to demonstrate that our biggest enemy is ourselves. Continue reading Review: Us

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Frost on Film: Capernaum

At the Oscars this year the Best Foreign Film category was stacked with many outstanding masterworks, from Roma to Cold War. Yet it could be argued that Capernaum is the best of them all as it is unquestionably one of the best films released in the last year. It paraded around the film festival circuit and won the Jury Prize at the 2018 Cannes Film Festival which is an impressive achievement. Continue reading Frost on Film: Capernaum