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Review: A Taste of Honey @ Trafalgar Studios

A Taste of Honey, Shelagh Delaney’s debut play (written when she was just 19 years old), proves that being a product of its time does not stop art from being important to contemporary audiences. Bijan Sheibani’s current touring production, for the National Theatre and showing at Trafalgar Studios in London this holiday season, only serves to reiterate this point. When the play premiered at the Theatre Royal Stratford East in 1958, it was considered part of the post-war ‘kitchen sink’ genre because of how it revolutionised British theatre by questioning class, race, gender and sexuality in mid-20th century Britain. Continue reading Review: A Taste of Honey @ Trafalgar Studios

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Review: EUTCO’s The Great Gatsby

Gatsby: the name is synonymous with glamour, the roaring ‘20s, extravagant excess, wealth, parties, hedonism, flowing alcohol, the power to turn dreams into reality, and the sense of a lost time. It also signifies a story of dashed ambition and tragedy. EUTCO’s production of The Great Gatsby at the Northcott, adapted from F. Scott Fitzgerald’s American classic, drew out these tensions thoughtfully and impressively. Published in 1925, Fitzgerald’s novel has undergone a whole new revival with the onset of the 2020s. Mimi Templar Gay’s direction produced a play which encouraged its audience to reflect on its relevance to our present time, particularly in light of its pervasive concerns with money, success and what it means to be fortunate. Continue reading Review: EUTCO’s The Great Gatsby

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Review: Dear Evan Hansen @ Noël Coward Theatre, West End

“Dear Evan Hansen,

Today is going to be a good day and here’s why…”

After winning six Tony Awards in 2017, a West End run for Dear Evan Hansen became a highly anticipated inevitability – even more so because it’s a creation of Benj Pasek and Justin Paul, the minds behind La La Land and The Greatest Showman. The show grapples with teen suicide and mental health by following Evan Hansen, a lonely high-schooler with (nearly) crippling social anxiety, whose bully, Connor Murphy, kills himself. Through unfortunate coincidence, Evan is caught up in the aftermath when Murphy’s parents are convinced he was their son’s best friend. He falls into perpetuating and expanding this fabrication of friendship as he grows closer to the family, goes viral online, and his dreams start to come true. But with everything built on the world wide web of lies, can Evan handle it? Continue reading Review: Dear Evan Hansen @ Noël Coward Theatre, West End

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Review: Cavetown @ The Fleece

Cavetown @ The Fleece, Bristol, 10/12/19

For any of you who don’t know, Cavetown (aka Robin Skinner) started making music on YouTube in 2012, singing a mix of ukulele covers and original songs from his bedroom. Now, at the age of 21, not only does he have over a million subscribers on his YouTube channel, but he has also self-released three studio albums and amassed nearly three million monthly listeners on Spotify. That means, when we arrived at his gig 20 minutes before doors opened, the queue to get in already snaked around the building and down the street (the YouTube cult is committed, and kind of terrifying…). Luckily, after a little too long standing in the rain, which the wind was helpfully blowing into our faces, we managed to get in just as the first support act was beginning their set and wiggle our way towards the front. Continue reading Review: Cavetown @ The Fleece

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Review: The Taming of the Shrew @ The Barbican

Until recently, all that I knew about the plot of Shakespeare’s The Taming of the Shrew was what I had seen in 10 Things I Hate About You: the frosty, hostile Kat Stratford (Julia Stiles) softens when she accidentally falls for the slightly intimidating Patrick Verona (Heath Ledger). On my way to London, to see this production I felt reasonably excited by the prospect of watching the original play. The idea of going to see a performance at the Barbican over the Christmas period sounds enticing – especially when it is to watch something as cultured as a Shakespeare play. Little did I know that I would not be so pleased afterwards. Continue reading Review: The Taming of the Shrew @ The Barbican

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Review: Quirk Theatre’s ‘The Velveteen Rabbit’ @ Exeter Phoenix

Rating: 4.5 out of 5 stars

A delightful, magical, and charming rendition of the timeless children’s book to warm every audience member’s heart this festive season.

When I went to see Quirk Theatre’s adaptation of Margery Williams’ classic children’s book, The Velveteen Rabbit, I must admit that I was dubious and had a few questions. In particular, how was this cast going to convey and embody the actions and emotions of a stuffed rabbit? However, Quirk Theatre quashed all my doubts and left me yearning to re-read the charming children’s book in order to re-live their heartwarming production of the story.  Continue reading Review: Quirk Theatre’s ‘The Velveteen Rabbit’ @ Exeter Phoenix

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Review: CLIMATE CHANGE THEATRE ACTION @ Exeter Phoenix

Climate Change Theatre Action is a series of worldwide readings and performances of short climate change plays with the intention of raising awareness through a new platform. The performance promised readings of short plays focusing on climate change by a panel of climate scientists from the Met Office and the University of Exeter, in partnership with Agile Rabbit.   Continue reading Review: CLIMATE CHANGE THEATRE ACTION @ Exeter Phoenix