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BSO’s Rusty & Not So Rusty Musicians-‘Symphony in a Day’

Music has a remarkable power for uniting people. Whether it’s club-goers getting down to drum and bass, musical-theatre lovers belting out show tunes or a bunch of ‘rusty’ and ‘not so rusty’ musicians coming together to play Sibelius’s Second Symphony. Continue reading BSO’s Rusty & Not So Rusty Musicians-‘Symphony in a Day’

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Review: BSO’s Pastoral Brahms

Having climbed the snowy slope to campus, the brassy warmth of the Bournemouth Symphony Orchestra’s presence in the Great Hall was sure to revive the spirits of all who made it there. As were the evening’s three pieces, under the heading of ‘Pastoral Brahms’. Clemens Schuldt was conducting, his second evening with the BSO following his debut the night before. His familiarity with the German Romantic canon was well-suited to the work, with which he displayed a near-frantic excitement throughout. Continue reading Review: BSO’s Pastoral Brahms

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Preview: BSO’s Pastoral Brahms

Thursday marks another return to Exeter by the Bournemouth Symphony Orchestra. This time they bring three tightly linked, 19th-century, central European pieces; a departure from their more disparate juxtapositions recently performed this season. Clemens Schuldt, who has worked in the past with the London Symphony Orchestra and Simon Rattle, will be conducting, ‘Pastoral Brahms’. Soloing is violinist Baiba Skride, whose list of personal awards, almost entirely first prizes at international festivals, is truly remarkable. Continue reading Preview: BSO’s Pastoral Brahms

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Review: BSO’s ‘Unmistakeable Voices’

Friday’s concert, ‘Unmistakeable Voices’, saw Bournemouth Symphony Orchestra give two magnificent performances, in a clear demonstration of the capabilities of everyone involved. From Beethoven to Shostakovich, and with an intervening encore on the part of violin soloist Augustin Hadelich, the evening proved not only to be expertly played, but decidedly engaging in its informality. It was perhaps Hadelich himself who, from first walking on to the stage in Exeter University’s Great Hall, seemed to emanate a casualness to be appreciated by any audience of classical music, and which perfectly aligned with the general accessibility of the BSO’s work. Continue reading Review: BSO’s ‘Unmistakeable Voices’

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Preview: BSO’s ‘Unmistakable Voices’

The Bournemouth Symphony Orchestra reignites its new year of performances at Exeter Great Hall on Friday, in an evening that should lay the foundations for the work to come. ‘Unmistakeable Voices’ brings to the university works by two of the greatest Romantic composers: Beethoven and Shostakovich. With Chief Conductor Kirill Karabits at the helm, it promises to be another successful night for the BSO, and certainly one to deeply affect its audience. Continue reading Preview: BSO’s ‘Unmistakable Voices’

Review: BSO’s Russian Winter

For one evening (and one evening only) those present at Exeter Great Hall were transported to cold, 19th century St Petersburg and Moscow; an invited state of Tsardom overseen by the remarkable talents of the Bournemouth Symphony Orchestra. With works by three of the biggest names of Russian Romantic music, the Orchestra gave a resounding, and even at times rousing, conclusion to the first instalment of performances at the Great Hall as part of their 2018-19 season. Continue reading Review: BSO’s Russian Winter

Review: Isaac Gracie @ Exeter Phoenix

Gracie has the ‘last words’ on love. I stood at the bar, beer in hand, amongst the bundle of young people all raring to see the London native swoon his way onto the stage. The fans weren’t rowdy, nor were they uncontrollable. They simply sipped their drinks, with the clinking of glasses and a lingering sense of anticipation in the air. Not one of wondering … Continue reading Review: Isaac Gracie @ Exeter Phoenix