An Underwhelming Finale In 2016 Split was released and received good reviews, seemingly placing M. Night Shyamalan’s directorial career back on track, following a rather dire succession of releases. However, while the tale boasted a fascinating killer at its centre suffering from multiple personality disorder, what drew more attention was the end of the film. In its final moments, Split revealed an aged Bruce Willis … Continue reading Frost on Film: Glass
In my formative years I was in love with the idea of love and I attribute this to growing up watching romantic comedies. I love romantic comedies and I say that with pride. So often we are taught to regard the genre as a guilty pleasure because, ultimately, we are taught that what women like is frivolous and not to be taken with as much seriousness as movies with men in the limelight. We are trained to associate male leading, serious movies with critical acclaim and Oscar recognition, rather than rom-coms. While I do recognise that there are a lot of problems with many films in the romantic comedy genre, like how so many of the protagonists represent white, middle class, educated woman, I have also learned a great deal from them.
Continue reading Rom-Coms and The Search for Love
*SPOILERS ALERT* The final film in the Dream Works Animation’s beloved trilogy is a hugely satisfying experience, a perspective which seems to be reflected in the facts: it has grossed $85 million worldwide, and has become the third highest-grossing film of 2019. How to Train Your Dragon: The Hidden World follows Hiccup, chief and ruler of Berk, and his dragon Toothless, who continue to rescue … Continue reading Review: How To Train Your Dragon 3
It’s that time of year again… That’s right, it’s February which means that Valentine’s day is just around the corner. Whether you love it or hate it, are single, taken or planning on snuggling up with the only two men you need in your life – Ben and Jerry – you can never (NEVER) go wrong with a day full of Rom-Coms, and this, after … Continue reading Top 10 Rom-Coms for Valentines Day
Today, in large part due to Trump’s presidency, the topic of racial hatred seems as prevalent as ever. Films released recently like The Hate U Give or Spike Lee’s brilliant Blackkklansman have attempted to discuss this issue with a loud and angry voice. If Beale Street Could Talk continues this trend but in a more subtle, muted way, elevating intimacy over depictions of racial prejudice. Continue reading Frost on Film: If Beale Street Could Talk
The average Brit will watch 22.3 hours of television a week, nearly one full day’s worth of TV. The average Brit will also watch 72 films a year which is, on average, more than one film a week. Between 2001 and 2016 just 18% of those television programmes were written by a woman, lessening to 14% for prime-time TV. In the film industry 79% of the films made had no women involved in the writing at all. It is no secret that screenwriting is a male-dominated industry, highlighted in recent times by speeches like that of Frances McDormand at the Oscars 2018, where she urged all women involved in the nominated films to stand up, raising awareness to the female talent in the room but also the lack of female representation. Why is this such a problem? Should it not just be the best TV made which gets to be aired? Yes, it should. But some of the best TV and films are being made by women and are not being given the chance to be seen. Continue reading Why are female screenwriters still not given the prime opportunities?
Josie Rourke’s Mary Queen of Scots portrays the relationship between the emponyous figure (Saoirse Ronan) and Elizabeth I (Margot Robbie) as less of a rivalry and more of a strained camaraderie. Its focus is far less on placing the two figures in opposition to one another and more on representing them both as strong, independent leaders constrained by circumstances. In a (less historically accurate albeit more feminist) twist … Continue reading Review: Mary Queen of Scots