On Saturday night, I walked into Unit 1 at 6:45 (truly the earliest I think I have ever set foot there), excited for a night of fashion. The main dance floor had been filled with chairs, set up to include a runway right through the middle. We took our seats, second row from the front – the front rows were reserved for the designers responsible for the garments we were about to see grace the runway (this was the moment when I felt like I really was at a real fashion show). The Re:Claimed Fashion show, put on by Exeter Fashion Society, aimed to showcase local and student ethical, sustainable brands with a focus on celebrating the diversity and creativity of the sustainable fashion industry. The show promised a celebration of fashion’s creativity, as well as performances from URBN Dance, Pole Fitness, Breakdance, Dance Society and Mishaal Javed. Continue reading Review: Re:Claimed Fashion Show
If you asked the general person what they picture when they imagine a Vogue cover, for many the same portrait would spring to mind: a perfectly shot photograph printed on glossy paper, peeping through the other magazines at the airport or newsagent. However, Vogue Italia has totally shaken up this image with their January 2020 edition, scrapping the photoshoot for one edition only, instead filling the magazine cover-to-cover with illustrations. Conde Nast, Vogue’s publishing company, announced in a press release that the purpose of this move was sustainability. Continue reading Illustrated Vogue Italia: An Environmentally Conscious Approach
You may have heard about Goop’s new candle titled “This Smells Like My Vagina” where the origins of the scent came from founder Gwyneth Paltrow blurting out in the lab “Uhhh… this smells like a vagina”. This came up in conversation while we were brainstorming our SHAG Week (Sexual Health Awareness and Guidance Week) and we asked ourselves the question: if you could choose a … Continue reading This Smells Like RAZZ’s Vagina
There goes the age-old art centric debate; what constitutes nude and what naked? Nudity is often viewed as the artful posing of the naked human form, whereas nakedness is often perceived as more vulnerable, unrefined and bare – in such a sense nudity is often elevated to a higher artistic and cultural standing, with nakedness being largely associated with censorship and stigmatisation. The terms are often used interchangeably, and while this may not be 100% linguistically correct, I would argue that it is important to destigmatise the taboos surrounding nakedness; a naked body is just that, whether it can be perceived as sexually attractive should not be central to the manner in which we address it. As demonstrated, both words mean the unclothed human body, so how did such a differentiation in contextual understanding occur? Art critic John Berger previously argued the meaning of the nude has changed over the years; in his 1972 book ‘Ways of Seeing’ he says that the nude has been continuously utilised to portray the female body in a manner that is sexually pleasing to the viewer, whereas a ‘naked’ piece of art depicts a sitter embodying their own space and pleasure. Whether this is true is dependent on the subjective opinion of the viewer, something that has undoubtedly changed throughout history. Continue reading Arty Nudes
Mullets originally became popular in the 80s with people seeking a “business in the front, party in the back” hairstyle. However, in the 90s there was a decline of people wanting to rock the mullet, leaving it in the gutter completely in the noughties, with no one particularly keen to jump on the mullet bandwagon. Today, the style is making a comeback. Continue reading Exeter Uni Takes on The Mullet
In recent decades the exponential growth of communications, digitalisation and social media has meant an expanding digital-scape for the individual to work with. This transition to the presentation of our beings on electronic platforms changes the way in which we view ourselves, our self-worth and how we present ourselves to the world. We are no longer dealing with forging our identities in a solely actualised … Continue reading The Search for Identity in the Digital Age
When will it end? When will we get bored? When will we finally learn to celebrate Meghan Markle and the work she does, and give her credit where it is due? Yet again, this past week HRH Duchess of Sussex has made headlines with the release of the ever-anticipated September issue of British Vogue. This year she has guest edited the edition with Edward Enninful, current editor of the publication. Last month, scandal surrounded her choice to protect her child and friends’ privacy in not releasing the names of Archie’s godparents; this month, her call for kindness and positivity has gathered ample criticism. This scrutiny of Meghan, the charitable and kind work she does and the decisions she makes about her family are becoming old and dull news. Yes, she is female, yes, she is of mixed heritage and yes, her former career was as an actress but like it or not she is now a member of the British Royal Family. In guest editing the September issue of Vogue she has used her platform to deliver what is ultimately a message of, as Bryony Gordon wrote in her column for The Telegraph, “be kind, help people less fortunate than you, try and do the right thing, and by the way: you’re lovely just as you are”. Continue reading Meghan Markle X Vogue: A Collaboration to Celebrate.