The Tate Modern’s exhibition, In Real Life showcases Olafur Eliasson’s work at a scale that is truly breath-taking. This particularly immersive exhibition places the spectator at the centre of the art itself. Eliasson is a Danish-Icelandic artist and this exhibition offers 40 of his works from 1990 to today. In Real Life features his sculptures, immersive installations, photography, and painting. Eliasson’s art is often inspired by his time spent in Iceland and is predisposed to concern elemental forces of nature and investigate human perception and our collective ability to sense the world around us. His installation pieces are abstract and the message behind his art can seem ambiguous. Therefore, the reception of his work is highly subjective. Continue reading Review: Olafur Eliasson’s ‘In Real Life’ @ Tate Modern
Mary Quant is the pinnacle of 60s youth culture, revolutionising fashion and culture in a decade known for change. The V&A’s current exhibition honouring her both acts as a frozen capsule and transcends linear time. The exhibition’s historicism plays out through transporting you to her original BAZAAR shop in Knightsbridge, gazing into its shop window. The mannequins have playful poses, with some lying on the floor and jumping through the air, and hold eccentric props that Quant used herself – most notably a red lobster attached to a gold chain. This encouraged the exhibition’s engagement with visitors, replicating Quant’s vital and innovative interaction with the customer. Continue reading Review: Mary Quant at the V&A
“In spite of it all, people have a need to couple. Even when they’re being destroyed, they’re still coupling. The Ballad of Sexual Dependency starts and ends with this premise, but in between there is the question of as to why there is this need to couple and why it is so difficult.” – Nan Goldin (1986) Continue reading Nan Goldin at the Tate Modern
Short trousers, redcurrants, summer rain, campsites, tears, electric hand mixers, intelligence, ice cubes, skin and plums. These are some of the objects and phenomena that Norwegian author, Karl Ove Knausgård describes in his book, Summer. Continue reading So Scandi: In praise of “Summer” by Karl Ove Knausgård
Mary Shelley’s Frankenstein is one of the rare pieces of literature that sits in the Venn diagram overlap of edgy teens and Romantic scholars. A tale of creation and loss, ambition and remorse, love and grief, Shelley remains the queen of innovative paralleling, not just in themes but in her characters. Her unique frame narrative of letters, stories, and even her preface never ceases to impress me with its clever overlapping and, while some parts of the tale are so implausible as to seem ridiculous, her intricacy and exquisite language rightly puts Frankenstein in the literary canon.
Continue reading Review: Frankissstein by Jeanette Winterson
If you have every visited or seen pictures of Copenhagen, your first thought if someone said “Danish architecture” would probably be of the quaint saffron, moss and rust coloured harbour buildings of Nyhavn. But this would not be the whole story. Over the past decades the Danish capital has transformed itself from a serene fisherman’s town into a dynamic, modern city. A transformation that is reflected … Continue reading So Scandi: ‘The Architecture of Happiness’ – A celebration of Danish Architecture
“Why should the devil have all the best tunes?” asked Methodist preacher George Whitefield in 1774. But did the devil ever? And does he still? As conservative and dated as ‘religious art’ might seem in the West (where religious practices have been somewhat marred by schisms, crusades, inquisitions, Nietzsche, existentialism, and that ever-pesky science), I think the paganity to which Whitefield referred has less of a cloven-hoofed power-stance over the arts than the reality of the situation might suggest. Not only were many of the modern antecedents and influences of contemporary Western artists religious, but a great number of today’s practitioners remain resolutely Christian in their outlook.
The spring exhibition for Exeter Art Society was held in the main ballroom of Reed Hall and the atmosphere of the night was permeated by music from the Exeter University Jazz Band. This ambitious showcase of art, music, and dance proved to be an incredibly enjoyable evening, and one that highlighted the amazing artistic talent of many students at Exeter. There was a wide selection … Continue reading Review: ArtSoc Exhibition Night
The end of year Spring Art Exhibition, hosted by the University of Exeter Art Society, takes place this Wednesday and is set to be an exciting evening that will showcase a curated variety of the incredible work that ArtSoc members have created. Ranging from abstract paintings, analytic pencil drawings to complex collages, you will be guided through the beautiful Reed Hall by four themes: Art for a Cause, the Natural World, Light and Dark and the Open Theme. Continue reading Preview: Spring Art Exhibition 13th March
A new form of art museum is popping up in major cities all over America. Dubbed the Instagram Museums, these spaces display immersive art displays in themed rooms, designed to produce the perfect Instagram selfie or boomerang. Hearing this, the obnoxious humanities student in me wants to rant about how the idea of tailoring art to Instagram cheapens it to a merely aesthetic object, devoid of meaning or history, and how the popularity of these new museums threatens more traditional art museums. But I’ll try to resist that for the moment. Continue reading Trending on Twitter: Instagram Museums