If you asked the general person what they picture when they imagine a Vogue cover, for many the same portrait would spring to mind: a perfectly shot photograph printed on glossy paper, peeping through the other magazines at the airport or newsagent. However, Vogue Italia has totally shaken up this image with their January 2020 edition, scrapping the photoshoot for one edition only, instead filling the magazine cover-to-cover with illustrations. Conde Nast, Vogue’s publishing company, announced in a press release that the purpose of this move was sustainability. Continue reading Illustrated Vogue Italia: An Environmentally Conscious Approach
There goes the age-old art centric debate; what constitutes nude and what naked? Nudity is often viewed as the artful posing of the naked human form, whereas nakedness is often perceived as more vulnerable, unrefined and bare – in such a sense nudity is often elevated to a higher artistic and cultural standing, with nakedness being largely associated with censorship and stigmatisation. The terms are often used interchangeably, and while this may not be 100% linguistically correct, I would argue that it is important to destigmatise the taboos surrounding nakedness; a naked body is just that, whether it can be perceived as sexually attractive should not be central to the manner in which we address it. As demonstrated, both words mean the unclothed human body, so how did such a differentiation in contextual understanding occur? Art critic John Berger previously argued the meaning of the nude has changed over the years; in his 1972 book ‘Ways of Seeing’ he says that the nude has been continuously utilised to portray the female body in a manner that is sexually pleasing to the viewer, whereas a ‘naked’ piece of art depicts a sitter embodying their own space and pleasure. Whether this is true is dependent on the subjective opinion of the viewer, something that has undoubtedly changed throughout history. Continue reading Arty Nudes
This winter the Royal Academy of Arts has exhibited Lucian Freud: The Self-portraits. The collection of portraits ranges from his early career in 1940, to his most recent work in 2001. This masterfully curated exhibition focuses on the self and demonstrates how Freud’s painting style has changed and matured over time. The exhibition progresses from his early surrealist painting, to his later brutally realist work, exposing the frailty of his aged body. The style of his portraits is striking and contradictory as Freud resists being exposed and “known”, he hides in his paintings, yet also maintains intrigue as the subject of the portrait. Continue reading Review: Lucian Freud: The Self-Portraits @ The Royal Academy of Arts
The exhibition runs at the British Museum until 26 January 2020 (£12 for student concessions).
If you happen to be in London over the Christmas break, I would really recommend making a trip to this exhibition. The exhibition was laid out skilfully as you would expect from the British Museum, yet it is still worth carefully choosing your time to attend. Ideally go early or late so you have a chance to get close to the artefacts and are able to double back and see things in light of later objects. Some of the first things you see are drawings of Ottoman costumes which still have the vivacity of a contemporary sketch by a designer. These drawings work in brilliant concord with the later portraits. These draw on Ottoman models or are drawn from life. One particular portrait which stood out to me was of Sir Robert Sherley, by Anthony van Dyck, which shows an Elizabethan gentleman who was also the envoy to the Papal court for Shah Abbas I of Persia. As such you can see how complex identity can be and how fashion, as a form of art, expresses culture and social affiliations. Continue reading Review: ‘Inspired By The East: how the Islamic world influenced western art’ @ the British Museum
Christmas is not only the ‘most wonderful time of the year’ but also the most expensive. For students, the plethora of costs can make the difference between actual meals or solely instant noodles for seven days a week. However, one of the most magical parts of this festive season is decorating our flats and houses, without our families dictating the exact number of millimetres that have to be between each bauble on the tree. Becoming the next expert on ‘Grand Designs’ is an expensive venture though, so I’m here to help you give your home a student-friendly Christmas makeover that won’t break your bank – and that’s sustainable too! Continue reading Crafty Christmas Decorations on a Student Budget
Calling all Exeter students who care about the current single-use plastic epidemic! ‘BE THE CHANGE’ NEEDS YOU! Continue reading Eco-Bricks: What they are, why they’re useful and how you can get involved
The Tate Modern’s exhibition, In Real Life showcases Olafur Eliasson’s work at a scale that is truly breath-taking. This particularly immersive exhibition places the spectator at the centre of the art itself. Eliasson is a Danish-Icelandic artist and this exhibition offers 40 of his works from 1990 to today. In Real Life features his sculptures, immersive installations, photography, and painting. Eliasson’s art is often inspired by his time spent in Iceland and is predisposed to concern elemental forces of nature and investigate human perception and our collective ability to sense the world around us. His installation pieces are abstract and the message behind his art can seem ambiguous. Therefore, the reception of his work is highly subjective. Continue reading Review: Olafur Eliasson’s ‘In Real Life’ @ Tate Modern