Singles’ Round-Up: ‘Just Friends’ by Max Pope

‘Just Friends’ is the first single from Max Pope’s upcoming EP, In Limbo. A fusion of jazz/pop/funk/soul, Max Pope’s sound feels fresh and interesting, with a beautifully subtle groove in all of his work. He is easily comparable with Tom Misch, but I’d say Max holds a distinct sound himself. The guitar and bass melodies in this track carry divine funk and marry perfectly with a simple but wonderfully smooth beat, producing a song perfect to walk down the street to. Max is also a super talented lyricist, with this track focusing on anxiety around change and feeling like you have a lack of control over relationships. Continue reading Singles’ Round-Up: ‘Just Friends’ by Max Pope

Reading Corner: The Boy, The Mole, The Fox and The Horse by Charlie Mackesy

My sister and I gave The Boy, The Mole, The Fox and The Horse to our mum for Christmas – a wise present it turns out, seeing as I’ve now read it more times than she has. Looking at it again this past week has been a comforting escape. The book is formed from a collection of beautifully expressive ink illustrations with handwritten words, stitched together by a gently anchoring narrative. We follow four friends: an inquisitive boy who asks questions about the world and ponders his relationships with the others; a mole full of reassuring words, whose thoughts are also largely occupied by cake (which makes for some of my favourite moments); a fox who is reserved and quiet because of their past, yet loved by the others no matter what; and a wise horse who reveals an ability to fly. The story’s subtle linearity stitches the order of the pages together, but you don’t need to read it cover to cover. Each page is an isolated piece of art and storytelling in its own right, so dip in and dip out; you’ll never be lost in the story. Continue reading Reading Corner: The Boy, The Mole, The Fox and The Horse by Charlie Mackesy

Review: After Hours by The Weeknd

Four years since the release of his 2016 album Starboy, The Weeknd returns with his new album After Hours, and a new look to go with it.

Fans of The Weeknd (real name, Abel Tesfaye) have been patiently waiting for new music from the Canadian R&B singer since Starboy and the surprise 2018 EP, My Dear Melancholy,. Jumping from upbeat, synthpop in Starboy, to a sad, reflective, and painfully honest vibe in My Dear Melancholy, it was difficult to know what to expect next from Abel. Cut to 2019 and following a very public break-up with Bella Hadid and a tweet from The Weeknd saying “album mode full effect”, fans were more than ready for new music. Continue reading Review: After Hours by The Weeknd

Review: Love is Blind

Netflix’s Love is Blind (2020) places a handful of attractive singles in isolated pods to get to know each other over ten days, by talking to each other. Yes, talking. That thing you used to do before you realised swiping on Tinder was less effort. Conversations range from the inane (“what do you think about dogs in the bed?”) to the painfully deep (“I became my own masculine influence in my life”), and in a way only Americans can achieve (us Brits are far too emotionally repressed). People actually connect. Guys, there’s a proposal on day five. DAY FIVE. “I’ve had meals in my refrigerator longer than that. That’s crazy!” Amen. Continue reading Review: Love is Blind

Review: Seafret @ Exeter Phoenix

Having seen Seafret perform 4 years ago in the basement of a Manchester club, I had high expectations for this gig. Despite the rising fears surrounding COVID-19 after four people in Royal Devon and Exeter Hospital testing positive that morning, there was a decent crowd present for Seafret’s performance at Exeter Phoenix. The atmosphere at the start of the night was somewhat timid with the crowd fairly well spread in the standing area. However, as the night progressed and people got more comfortable, the atmosphere lifted with a few groups dancing and many others singing along. Continue reading Review: Seafret @ Exeter Phoenix

The Return of Spitting Image

23 years on: “There’s nothing like a puppet punching a puppet”

The political satire Spitting Image, which first launched in Britain in 1984, is returning to our screens this year – and this time, it’s going after the big guys.  

In its heyday, Spitting Image was watched by 15 million people each week on ITV, its caustic puppets featuring the faces of those such as Margaret Thatcher and her cabinet. The show aimed to be as topical as possible throughout its 12-year stint, with puppeteer Roger Law stating that at times puppets were made overnight in order for a quick turnaround on the show. However, journalist Adam Sherwin claimed in an article in I-News that by the end of its run in the early 2000s, the jokes used during Spitting Image’s prime-time slot “had been reduced to the back-of-a-cigarette-packet material”, its ratings following suit. Continue reading The Return of Spitting Image

Preview- EUABC License to Fight: 003

1 event, 1 ring, 12 fights: A Formidable Event Not to be Missed

Last Friday (20th March), Unit 1 was supposed to play host to the most anticipated and intense sporting event of the term. None other than Exeter University Amateur Boxing Club’s License to Fight: 003. In the event, Amateur University Boxers would have traded in their books for gloves and ventured into the ring to battle it out and see which fighter came out on top. However, due to the development of COVID-19 in the UK and following Government guidelines on social distancing and mass gatherings, Exeter University Amateur Boxing Club took the difficult decision on 15th March to cancel the event in order to best protect the health of all attendees and participants. We’d still like to pay tribute to the fighters and the society’s hard work in preparing for this event by sharing with you our original preview. RAZZ looks forward to seeing what Exeter University Amateur Boxing Club go on to do once we are past these difficult times. Continue reading Preview- EUABC License to Fight: 003